Showing posts with label writing advice. Show all posts
Showing posts with label writing advice. Show all posts

REJECTIONS - AND WHAT TO MAKE OF THEM


                                                                   By Kate Carroll


We regret to inform you...


Fellow writers,

I had so, so many rejections to choose from, but I narrowed them down, so as not to bore you with repetition. The names of real editors and publishers were changed for obvious reasons. 
Here’s the top ten!
 

#10  Crickets!
 
This is a common rejection – nothing!  It is frustrating, especially when you are first starting out. That is why the best advice after submitting a manuscript is start working on your next big thing.

#9  Sorry it has taken me so long to get back to you. Unfortunately it’s a pass for me.

Another common rejection letter which provided no feedback.  No helpful words to writers, but regard it as an opportunity to read up on the editor to see what his current list looks like. If you keep getting these types of rejections, it may be time to do a serious revision or start on a new project.

#8  On behalf of chief editor, Greta Goodatgrammar, thank you for sharing this title. This is not the perfect fit for the Dueling Doodlers' list at this time. We wish you the best of luck finding the right home for this project.



Again, not much to go on, but be a good detective here. It was not the perfect fit for this house, but it may be perfect for another house. Keep submitting.                                                                                         





This Photo by Unknown Author is licensed under CC BY-NC-ND       
 
#7  Thanks for sending this fascinating project my way. I’m afraid it’s not a fit for me, but I appreciated the chance to consider it, and I hope you’ll find a perfect editor for it.  Sincerely, Warren Wordly

Finally, one positive word to hold on to – FASCINATING. Yes! That’s what I was going for!  Here was that one word of encouragement to keep me from quitting. One word can motivate your creativity.

#6  Thank you for sharing Kate Carroll’s work with us. While we see the commercial appeal and holiday promotional moment with this story, we found ourselves struggling with the rhyme scheme and ultimately felt that this was not a must-have for our very full picture book lists at this time. We are going to pass, but we hope you find the right home for this story.

This rejection offered a few hints. The manuscript had commercial appeal, exactly what we want an editor to say. But in passing on it, they gave insight into what ultimately turned this into a rejection. The rhyme scheme did not meet the standard of this editing team, but finally, a nugget of information to inform revision.

#5 I've had a chance to consider your beautiful submission with my team and while it’s a very compelling telling of the Christmas story, it doesn’t feel quite right for Please Pick Me Press. There was a bit too much storytelling that is outside of the Biblical Christmas story for us.

A team of people looked at this project and found it compelling – which according to Oxford dictionary means evoking interest or admiration in a powerfully irresistible way. A pop the collar moment! The reason for the “pass” was specific and helped us to look at the story from their viewpoint and to look in new directions for submissions.

#4…I’m a sucker for funny names and puns, and I really enjoyed all the turkey names in this story (Where’s Waddle was my personal favorite). I also thought the interactive element at the end, of writing in the reader’s own idea for a turkey name, was a fun touch! However, I ultimately felt like this story as a whole felt a little too slight to be able to support a full jacketed picture book, and I wasn’t sure that the hook of the book felt strong enough to stand out in the market. With this in mind, I unfortunately have to pass.

This same manuscript received a rejection for totally different reasons above (see number 6). Just a reminder that this business is subjective and proves that landing a book deal is a lot like matchmaking. Where will your story find “true love?”


#3 I am intrigued by this project. I like the non-fiction mixed in with a fun guessing game. I would like to have a little more time in considering this.

This was such an encouraging response, but ultimately, nothing happened with it. My agent followed up a few times and never heard back. Instead of feeling deflated, I believed even more in my manuscript. It was confirmation that I was on to something good. 
 
#2 Thanks very much for thinking of me for TEN BIG BARKS. It’s *very* cute, but, alas, too similar to a new picture book on our list that is also a dog-themed counting book that counts up to 10 and back down again!

The story mentioned above came out 8 months after I received this rejection. My take-away: Two great writers thinking the same thing – one came up with the idea a little faster!  

and drum roll, please...

#1 Thanks so much for sending me this lively story. But though there are some wonderful descriptions here, and the setting is vividly described, ultimately the plot doesn’t feel quite special enough to me.
I am very intrigued by Hope's personal story, however. Do you think they would ever be interested in writing about a child like her, and her trip to the US?  If you think she’d want to give it a try, please know that I’d be happy to help in any way I can.

This was a difficult journey.  We took this editor’s offer and told the story.  Over the course of a year, we did many rewrites, and in the end, it was rejected. It is still a story we know will find its forever home, just like our daughter did!
 
 
 
Rejections are reminders that we are doing what we should - which is getting our work out there. When rejections light up your inbox, and they will, take a moment, because it does sting, but it's not life threatening.  Hold on to these words of wisdom from esteemed professional Mary Kole who said, "When an agent or publisher declines your manuscript, ... take your time to refine, reinvent and elevate your craft. ..." 

Remember, it can’t be on a bookshelf at B&N if it’s still on your desk! So, writers, write that beautiful, humorous, heartfelt, intriguing, adventurous story and remember that a rejection is just a reminder that true love is still out there waiting for your manuscript to find it.  
 
 




Writing is Writing

 

By Laurie Lazarro Knowlton

It seems easy, writing. Making yourself sit down and write in the first place is hard. There are our daily interruptions of family needs, pets’ needs, meetings, and deliveries to name just a few. Once you get your bottom in the chair, writing is writing. Just you, your writing utensils, your imagination and quiet.

Except our greatest nemesis and ultimate minute-to-minute interruption is self-inflicted. We have become addicted with our insatiable desire to have our phone in hand. Writing and phones are not a good combination for creativity.

9 Reasons Why you Need to Stay off Your Phone to Write.

1.     Turn off your phone when you sit down to write so you are not interrupted with a phone call and lose your idea momentum.

2.      Stay off your phone to research because it’s so easy to slip over for a quick minute to check your e-mails. Next thing you know an hour of your writing has gotten eaten up.

3.     Taking time away from your phone can help you experience calm mindfulness that allows your  imagination to flow unencumbered.

4.      Calling a friend to tell them about what you are working on can make you lose your enthusiasm for the project, and even question why you’re working on it in the first place.

5.     It is good for your phone to get turned off because it saves your battery; it keeps the phone from getting overheated and allows for updates to be installed when you turned it on again.

6.      Handling your phone constantly becomes a habit. Don’t reach for your phone when your writing mind gets stuck. Put your phone in another room if you’re craving that quick bit of addictive phone stimulation. Instead, sit with your story. Picture the conversation, the action, and your brain will get back on track.

7.      Having your phone off and out of the room is good for your body.

8.      Nighttime phone use is associated with poor sleep.

9.      Staying off your phone helps relieve anxiety and stress.



So put your phone far away and turned off. Put your bottom in the chair and get on with writing. Your story is calling your name. That is one call you need to answer.

Check out all of Laurie's books on her website: http://www.laurieknowlton.com/


10 Dates a Wanna-be Author Should Take

 

by Laurie Lazzaro Knowlton


1.     Make a date to read, read, read.

Read everything you can in your genre.

Read HOW TO books in your genre.

Read reviews of books in your genre.

Read until your genre is as natural to you as your skin.


2.     Make a date to attend writer’s events:

Go to workshops, conferences, library talks, book signings, and writer’s retreats.

Listen. Ask questions. Gather resources. Network.

   

   3. Make a date with a critique group.

Getting feed back on your writing is invaluable.

Don’t argue or try to defend your work. You are there to learn.



      4. Make a date to write a list of things that you know a great deal about.

Write those things about which you are knowledgeable and passionate.


                                              5.  Make a date to collect word lists.

                               If you are writing about the sea shore, make a list of sensorial words

                               that will make your scenes come alive. Gather a list of active verbs, 

                               sounds, smells, everything that equates to the sea shore.


6.      Make a date to play the game of  “WHAT IF?”                 

What if an astronaut met a mermaid in a desert?

What if an anteater and an ant went on a cruise together?

What if a cockroach and a ladybug wanted to change the world?

See if any of these “what ifs” leads you to a new story.


7.  .Make a date to read to identifying why a story connected with you emotionally.

Good stories challenge your heart to see beyond what it knows. 

Use your discoveries to strengthen your own work.


8.   Make a date to edit.

Cut weak dialog, redundant words, and cut text that isn’t moving your story forward.

Be mindful of spelling and grammar.

Stay within guidelines given by a prospective publishing house.

Edit for word length. Research guidelines for the average length of certain genres.




                         9. Make a date to experience the world.

                      Go on a weekly adventure trying new things. 

                      Jot down your reactions.

                      The freshness of “being in the moment”

                      heightens the senses and leads to strong writing.


10. Make a date not to give up every time you hit a stumbling block. 

                 Put in the time to: educate, write, re-write, critique,                                   re-write, submit, rewrite, submit, submit, submit.

     This business is about not giving up. Tenacity must become your middle name.

     Those who give up will never get published. Keep at it and your time will come.


Laurie Lazzaro Knowlton is a prolific children's author. Check out her website: http://www.laurieknowlton.com/           

                                                                                                


 

 



Meet Guest Author, Sabrina Fedel

 Sabrina Fedel is an award-winning writer and author of the YA novel, Leaving Kent State.


Recently, a poet friend from my MFA in creative writing program reached out to me for some advice on writing for kids for a teacher colleague of hers who has a first draft of a story and doesn’t know what to do next.

 My first response was that I’d be happy to try to help. My second was to say that my advice would really depend on what this writer wants from her writing. It’s easy to assume that everyone writes with the hope of being published, but that’s not true for everyone (as David Rogers writes about in his blog). As Rogers points out, there is even evidence to suggest that writing solely for internal goals improves one’s creativity and enjoyment of writing.

 But the reality is that most of us would love to see our name in print, to share our glorious stories with others, and to have them want us to share these darling creations with them. Most of us would probably also like to get paid for this. While I adhere to the premise that you are a writer if you write, I also waited to call myself a poet until someone actually paid me for a poem. Do as a say and all that. Some of us dream of being able to make a living as a writer, even if we don’t also dream of being famous. Some of us want it all, the whole Steven King experience.

So, the first step to figuring out how to be a “writer” is to find out what goals a writer actually has for their writing. The second step is for a writer to "know thyself." Writing with the aim of being traditionally published is a very different path from being self-published. It’s important to understand the differences to assess which path is the right one for you. Both paths have their benefits and drawbacks. For some, one or the other may be the right direction. For others, they may get traditionally published and then decide to self-publish. Or vice-versa.

Setting goals will also help a writer figure out what they need in their creative process. For me, a writers’ group is essential. Being part of a writing community is essential. For others, it may not be (though most of us should be open to critique, because even the best writers can improve from seeing their work through someone else’s eyes. It’s fun to think of Jane Austen concocting her stories alone in the countryside, but her family listened to her drafts and likely gave her feedback). I highly encourage you to find your community. With the internet at our fingertips, it can be done much more easily than in Austen’s day!

Finally, I think a writer needs to understand how important writing is to them. For me, writing is something I need to do. It’s a source of joy, self-understanding, and solace in a world that I often don’t understand. It keeps me grounded and present. It helps me get up on the days when getting up seems too hard. As country singer Luke Combs says, I’d still be doing this if I weren’t Doin' This

But, if writing isn’t all that to you, that’s okay, too. The important part is to understand what you want out of your writing journey and what you need from it. For some, the difficulties of getting traditionally published are extremely disheartening. I’ve been there myself. And it’s okay to quit when you get to that point, and it’s okay to keep going because you still want to write even if no one ever reads your words outside of your writers’ group. But understanding what you need, and what you are willing to go through to try to achieve your writing goals, is an important part of the journey. Because goals are just that, something to aspire to. Once you’ve brushed off the eraser marks from the page, the important part is whether you want to start over, no matter what. The important part is to know whether the journey is as important as the finished product.

 Happy writing!

Learn more about Sabrina on her website.

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WHO ARE THE SIX PENS?

 

Who we are? Then and now?

This is Laurie Lazzaro Knowlton and I thought you all might enjoy a little back story on the members of Six Pens.

When did you first get the itch to be a writer?

Laurie: I got hooked on writing in fifth grade. In ninth grade I had a very encouraging teacher, but it wasn’t until I became a kindergarten teacher that I decided to try my hand at writing.

What I didn’t do initially was my homework. I assumed that because I read multiple stories to my
children daily that I would automatically be able to write. So, my first story had two main characters, two main points of view, and the plot was meager at best.

What I learned was I needed to go back and educate myself. I attended classes, workshops, conferences and read every how-to book I could get my hands on. Probably the best three resources for my education were: attending a Highlights Writer’s Conference, initiated by Kent Brown, joining The Society of Children’s Book Writers and Illustrators, and reading every How To Write For Children book available.

As a result of attending events I found the networking, the encouragement, the critiques, the speakers, the rejections all worked together for my eventual success. It took me a total of 12 years of stumbling, educating myself, participating in critiques, classes, and conferences, submitting, and receiving piles of rejections before I finally accomplished my first published book, Why Cowboys Sleep With Their Boots On, Pelican Publishing, 1994. Since then I have had 62 titles published in the trade, craft, educational, Christian, and work-for-hire markets.

What advice do you have for people wanting to become writers?

Laurie: 1. My best advice is to educate yourself. Read, read, read!

2. Attend every conference, workshop, library speaker, in your genre that you can afford to participate in.

3.Allow your work to be critiqued. Do not defend your work. Listen. Then incorporate what rings true to you.

4. Be tenacious. Do not give up when you receive a bad critique, or another rejection. Listen, learn and keep moving forward. The people who make it in the field do not give up.

Best part of being an author?

Laurie: When I see a child listening to or reading one of my books.

Worst part of being an author?

Laurie: Having books go out of print.

http://www.laurieknowlton.com/


Gloria G. Adams

When did you first get the itch to be a writer?

Gloria: As a kid, I always had my nose in a book. The local library was practically my second home and authors were my heroes. I dreamed about becoming a writer when I grew up and even majored in English in college. But I was steered away from writing as a career and ended up eventually becoming a children’s librarian.

I loved my library career! But I never lost my dream of becoming a writer. I made up a lot of my own stories for story hour and, as I read picture books to my preschoolers, hoped that someday a librarian would be reading books in story hour that were written by me.

I was fortunate to have my dream come true! But getting there was a long journey. I remember thinking that it would be easy to write picture books since I had read so many over the years as a librarian. Boy, was I wrong!

 I had a lot of learning to do. I took writing courses, read books on writing, joined SCBWI and was fortunate to find not one, but two critique groups with amazing authors. One of them started as a mentoring group led by prolific author, Laurie Knowlton, from whom I have learned so much. And of course, I wrote and rewrote and…well, I’m still learning, taking webinars, reading articles, and writing and rewriting. I’ve found that the writing community is all about sharing, teaching, and encouraging.

I have a great agent and have been published traditionally as well as independently through my self-publishing company, Slanted Ink. I also started a critique editing company with a partner, author Jean Daigneau, called Two-4-One Kid Critiques.

What advice do you have for people wanting to become writers? 

Gloria: Learn all you can, not just about writing, but about the publishing business. Join writing/critique groups and professional associations. Read the kinds of books you want to write and practice, practice, practice.

Best part of being an author? 

Gloria: Seeing my books on the shelf at the library where I used to work, finding out that one of my books helped my great nephew with his reading, and finally being able to say, “I’m an author.”

Worst part of being an author?

The frustration of having editors want your book, but then the book getting turned down by the acquisition department.

https://two4onekidcritiques.wixsite.com/mysite

https://www.gloriagadams.com/  and  https://www.slantedink.com/

  

Lisa Amstutz

When did you first get the itch to be a writer?

Lisa: I always loved to read and kept a journal intermittently as a kid, but never thought about writing until I was in my 20s. Then I proceeded to read every book in three local libraries about writing. However, it took me 10 years to work up the courage to submit something for publication. Once I finally started, I wrote for magazines and the local newspaper for several years before venturing into books. In 2009, I discovered the world of children’s writing and haven’t looked back! 

What advice do you have for people wanting to become writers?

Lisa: Don’t let fears and insecurities keep you from your dreams. Do your homework – go to the library, take classes if you can, and look for resources online to help you learn the craft of writing and understand how the market works. And don’t give up – the first stories you write may never sell, but each one will teach you something. Writing is a journey, not a sprint. 

Best part of being an author?

Lisa: Connecting with readers is definitely the best part!

Worst part of being an author?

Lisa: Rejections. But they are just part of the process for a working writer.

https://www.lisaamstutz.com/


Kate Carroll

When did you first get the itch to be a writer? 


Kate:  I can’t say exactly when I wanted to BE a writer, but it was always my favorite subject, next to reading. I pursued a career in elementary education and found myself writing supplemental stories for my struggling second grade readers and penning plays for my class to perform. I didn’t think of it as writing, but more of way for my students to succeed at learning.
One fall, I needed cce credits, so, I randomly took an online class on creative writing.  That was the first time I realized writing was more than a solo activity. The professor encouraged us to share homework, support each other and join professional organizations like SCBWI. Which is what I did, and which is where I met my fabulous fellow pens. 
That first SCBWI conference caught me swimming in water way over my head. But I didn’t care, I was hooked. Slowly, I began to understand the challenges of writing for children. In fact, my first ever critique was a disaster. I think the editor was as stunned and didn’t have much to say except to tell me that most of my story was missing!  Shaken but undaunted, I kept diving into the deep to learn the lessons of plot, character development, climax, theme.  I never stopped believing that I could produce some publishable work. 
Five years later, I sold to Cricket Magazine, followed by Highlights and Faces Magazines, I picked up credits and the courage to keep going, to keep studying the craft, to keep tapping into the world around me and to lean on my kid lit crew. Even as an agented writer, my work ethic remains the same. My picture book hopes loom large… stay tuned for that big news!

What advice do you have for people wanting to become writers?

Kate: Study the craft. Whether you want to write picture books, middle grade or YA, learn everything you can about the genre. Read books, dissect them and repeat. 
Develop a community – even if it is only one fellow writer. Be brave. Have a thick skin. It will help your manuscript in ways you can't imagine.
Be patient! Success rarely happens overnight.

Best part of being an author? 

Kate: I love that my writing can be an unforgettable part of a child’s life.

Worst part of being an author?

Kate: Not having the time to write when I get an idea brewing in my head.

https://ktcarroll.com

 

Lana Wayne Koehler

When did you first get the itch to be a writer?

 Lana: I always remember writing but never thought about doing it professionally until I wanted to share a particular story that I had written. I attended a writer’s group at my community library and read my story. I got what I now know was a kind reception and from there, caught the bug to improve.

I began to hang out with other writers and listen to their stories of encouragement and defeat and
realized that I knew nothing about the craft that I wanted to pursue.

From there, I joined writer’s groups and local organizations like SBWI. I began to attend classes and conferences and met many others who had a thirst for learning more about writing. I had finally found my people!

I went to a Highlights retreat in Honesdale, PA, and began to really work at my craft. There, I met editors, agents, and fellow writers and learned how to hone the craft I was starting to understand.

What advice do you have for people wanting to become writers?

Lana: Read what you want to write. See what others have done with your genre. Research your subject matter. Become an expert in every story you want to write.

Best part of being an author?

Lana: Sharing what I have learned by writing what people want to read and meeting those readers! I once asked a little boy what his favorite animal was from my book about allergies and he said, “The rabbit.” My book didn’t have a rabbit in it. I found, after close inspection, my illustrator had included a rabbit on the cover. Always trust your readers opinions!

Worst part of being an author?

Lana: Putting time into a project and not finding an editor who was interested. It can be hard to remain optimistic and persistent in the face of rejection.

https://www.amazon.com/stores/author/B01C21HZRU/about


Gloria Reichert

When did you first get the itch to be a writer?

Gloria Reichert: I am not sure I can precisely pinpoint when I realized I wanted to write. It seemed to evolve. In high school, I had to write a theme every week for four years, and during college, as an education major, I was always writing something. My last quarter I had 14 papers to write! Writing was a part of my life. My desire to write for children became apparent during my teaching career. Using picture books as part of my teaching made me realize and appreciate the value of this genre. I came to regard them as little books with big ideas. I remember stating to my students that one of my goals was to write picture books. I still have a thank you note written by one of my students at the end of the year. In the note, she wishes me good luck in writing picture books.

Once I left teaching, my first step in my quest to write for children was to contact the local library to see what direction they could give me. They suggested I contact the wonderful Laurie Knowlton. (Actually, I remembered her, since she had taught a workshop I attended as a teacher.) When I spoke to Laurie all those years ago, she advised me to join The Society for Children’s Book Writers and Illustrators and to educate myself by reading books on the craft of writing. I took her advice and participated in workshops of all kinds and did all I could to hone my talents. Educating myself as a writer continues to this day.

What advice do you have for people wanting to become writers?

Gloria Reichert: Those who wish to become writers should educate themselves and find a critique group. It is also important to keep reading, not only books in the genre in which they wish to write but also current adult writing. Never give up. Be persistent. There is not one published author who ever gave up.

I also think it is important not to compare yourself to other authors. All of our roads to being published are different. Our uniqueness will eventually make our work stand out.

Best part of being an author?

Gloria Reichert: I appreciate having fun when creating, wordsmithing, and challenging myself to make my manuscripts better. I also appreciate knowing that my words have the potential to change a child’s life for the better in some way. As I have participated in workshops, conferences, classes. and critiques, I’ve met many other authors and illustrators who are among the kindest, nicest, people in the world.

Worst part of being an author?

Gloria Reichert: To me, rejections and all the time it takes to hear from editors are among the worst parts of being an author.

https://www.gloriareichert.com/