Showing posts with label Jean Daigneau. Show all posts
Showing posts with label Jean Daigneau. Show all posts

Do I Need an Editor for My Manuscript?

 

By Gloria G. Adams

 

You’ve written the first draft of your manuscript.

You’ve revised it.

And revised it some more.

Your critique group has given you feedback.

But you still think it needs more work.

Maybe you’ve sent it out to several publishers and agents, but no one has picked it up.

Maybe, just maybe, it’s time to look for an editor.


There are several different kinds of editors.

Three of the major ones are copy editors, proofreaders, and developmental editors.

Copy editors

A copy editor will check line by line for the following:

  •  Spelling
  •  Capitalization
  •  Word usage and repetition/overuse of words
  •  Dialogue tags
  •  Usage of numbers
  •  Point of view
  •  Tense
  •  Inconsistencies with characters, world building, etc.

 Proofreaders

A proofreader looks for inconsistencies in:

  •   Language use
  •  Grammar
  •   Style
  •   Layout
  •   Typography

 Developmental Editors

A developmental editor looks for “big picture” issues such as:

  •   Character development
  •    Dialogue
  •    Point of view
  •    Story Arc
  •    Plot
  •   Tense
  •   Voice
  •    Pace
  •   Theme

Eight years ago, my friend and critique partner, author Jean Daigneau and I started a developmental editing company. To make it unique, we named it Two-4-One Kid Critiques because we offer two separate critique edits for the price of one.

Here are some questions to ask that we’ve come up with over the years:

  1.       Does your character change from beginning to end or show emotional growth?
  2.       If applicable, do subplots work seamlessly into the story?
  3.       Can you write out your book’s story in one sentence?
  4.       Does your dialogue sound authentic?
  5.       Can you clearly define your intent for your story, your character(s), and your reader?
  6.       Is there enough tension to keep your reader engaged?
  7.       Is your vocabulary appropriate for your target audience?
  8.       Do you have a complete story arc?
  9.       Does your pace match the action in the story?
  10.     Are you using enough action verbs or too many passive verbs?
  11.     Are you spending too many words on back story?
  12.     Have you added a lot of sensory details so your readers will relate to your characters?
  13.    Will your page turns/chapter endings keep your reader turning the pages?
  14.     Is your word count within the expected range for your book’s reading level?
  15.     Does your setting compliment your story, and are your world building details consistent? 

If you’d like help answering these questions or have the need to hire a developmental editor,

we’re here to help!

Check out our website: Two-4-One Kid Critiques, or email us: two4onekidcritiques@gmail.com


Jean Daigneau writes fiction and nonfiction for ages 3-12. Her latest nonfiction titles include Code Cracking for Kids: Secret Communications Throughout History and Ellis Island and Immigration for Kids: A History. She is represented by Vicki Selvaggio of Storm Literary Agency.


 

Gloria G. Adams has three new nonfiction picture books out this year: If You Lived Beside the Ocean, If You Lived Beside the Desert, and If You Lived Beside the Forest. She is represented by Lisa Amstutz of Storm Literary Agency.


 

 

 

 

 

 

 

 

 

 

The Writing Life: Putting Yourself Out There

 by Jean Daigneau


When I sold my first two picture books over 20 years ago, I couldn’t know

 that not only would those books never be published, it would take almost 20

  more years to see my first book in print.

Happily, just over 2 years later, my second nonfiction book was published by

Chicago Review Press as well.

Early on my writing journey, I attended a writers’ event where picture book author Eric Kimmel put a scenario to the attendees. Kimmel had us imagine having a crystal ball and seeing a future where we would never get published. Only if we continued to write anyway, he said, would we have what it takes to pursue publication.

            If anyone had told me then what a roller-coaster

 ride pursuing publication would be, I might not have

 believed it. Actually, I’m not sure I would have stuck it

 out. Over those years, through rejection after rejection,

 my late husband always asked, “But are you having

 fun?” whenever I complained about the challenging,

 changing world of children’s publishing. My answer

 always sounded like, “Oh yeah! I’m learning amazing stuff. I’m having fun. I’ve met interesting

 authors, editors, and agents. I’ve made wonderful friends.”

            Writing then and even more today is a lot about taking risks. It means putting yourself out there and taking advantage of opportunities you might not otherwise have considered. It means getting involved in writers’ organizations, attending events whenever possible, finding critique partners, and giving your writing as much priority as you possibly can. It means taking rejections with a thick skin and getting back to the keyboard the next day and the next and the next.

While it took me two decades to get a book

 published, I’ve sold greeting card text, educational

 testing material, nonfiction children’s poetry and

 crafts, and adult freelance articles. I’ve appeared on

 local television and radio and presented at writers’

 events, and I write a quarterly column for

  Children’s Book Insider. I’m blessed to be

 represented by Vicki Selvaggio of Storm Literary

 Agency. None of these opportunities were on my radar when I first considered publishing.

         Today, writing is more challenging than ever. The industry has faced challenges, not the least of which was an epidemic. My critique partners and I often question why we write. But then one of us usually answers, “Because we can’t not do it.” As hard as it is to admit, Eric Kimmel was right. These days, I’m sticking my neck out further with an adult project. This story came to me because of a family connection, and I never saw it coming. While I regularly remind my co-writer, “I write for kids,” I know I’d be foolish not to at least try.

            Because, in the end, it’s about putting myself out there. Day after day after day. The worst that can happen is that I never see this project published. But then again, maybe someday I will.

Jean also co-owns a freelance critique editing service, Two-4-One Kid Critiques, LLC. Learn more about Jean on her website: https://jeandaigneau.com/