To Be or Not To Be

 


By Gloria Reichert


Show. Don’t tell.

Writers often hear this excellent advice, but following it poses some challenges. Authors can heed this advice to some degree by choosing to use active verbs instead of passive forms of the verb “to be” (is, are, was, were, etc).

Active verbs make our writing more descriptive and concise. They enliven it with concrete details. They make it more readable, and they help appeal to the senses. Active verbs move our scenes forward. A well-chosen active verb can eliminate the need for an adverb.

For example, one could write the following sentence using the passive verb “was.”

Robby’s room was messy.

This sentence summarizes the situation. Or one could use active verbs to show how Robby’s room looked.

Robby’s red T-shirt draped the chair by his desk. Socks of various colors tried to escape from the open dresser drawer. Potato chips crumbs littered the floor and formed a trail to the Legos scattered underneath the window. Rumpled sheets and blankets covered the unmade bed. An empty milk glass stood on the nightstand surrounded by chocolate chip cookie crumbs. 

Using active verbs creates a more vivid picture of Robby’s room and also gives some insight into his character traits.

Or consider the following sentence which tells us about Suzie using a passive verb.


Suzie was happy.

Using active verbs shows the reader her happiness and add more emotional intensity to the scene.

Suzie’s face glowed with a radiant smile. Her eyes sparkled. She hummed a lively tune as she skipped down the sidewalk. A small burst of laughter escaped at the sight of two puppies playing in the neighbor’s yard.

Now try your hand at changing these telling sentences into showing ones by using active verbs.

Bobby was lonely.

Ann was surprised.
Gwen was nervous.

Whether or not to use an active or passive verb depends on the writer’s intended purpose. Active verbs emphasize the person or object performing the action. Passive verbs emphasize the person or object receiving the action.

So if you want stronger writing that packs more punch, read over one of your manuscripts and 
highlight every passive verb. Then go back though 
the manuscript and replace each passive verb 
with an active one. 
Bet you will be pleased with the results.

Show. Don’t tell. Accomplished!

Affirmations for Writers in 2026

https://richardbach.com/

    
As we close out our year of Tens, the Six Pens offer affirmations to uphold and encourage your writing pursuits in the coming year. 


If you write, you are a writer.

Best practices come with Practice.

I have the courage to put my work out into the world.

I have options and possibilities that drive me to keep working on my craft.

Talent, timing and tenacity are my driving forces.

Every rejection is a step closer to yes.

Open a child's mind to wonder and possibility through the words you write.

Writing is about the journey, not the destination.

I keep writing because doing so brings me closer to success.

“A professional writer is an amateur who didn’t quit.” Richard Bach






10 Holiday Books for 2025



By Gloria G. Adams


Holidays are just around the corner and gift-giving is on our minds these days. Here are some new picture books, published in 2025, to give you some ideas for your loved ones this holiday season.

                                     


 Our Christmas Tree Farm by Lisa Amstutz
 An uplifting holiday story of a farm family and a girl's special Christmas tree.          


              

 

 

The Little Drummer Girl: An Unexpected Christmas Story by Sheila Walsh

Whimsically illustrated, unique retelling of the Christmas story from the perspective of a little girl.

                                             


                                         The Firefly’s Christmas Light by Luna Pippin

                          When the forest loses its Christmas light, one tiny firefly decides                                                                   to bring it back.



The Big Wait: A Calm Christmas Read Aloud About the Joy of Waiting by Lorri Graham Watson

"The Big Wait" follows Noel as she learns to find joy in waiting for Christmas, from baking cookies to anticipating family arrivals.



Christmas is Coming to Town: A Foldout Christmas Village and Advent Calendar by Freya Hartas

A festive advent calendar book where Bear and woodland friends prepare for Christmas.




Once Upon a Kwanzaa by Nyasha Williams and Sidney Rose McCall

A celebration of the beauty, power, and faith of the African-American community as reflected in the principles of Kwanzaa.




Twinkle, Twinkle Hanukkah by Talia Benamy

This charming lyrical picture book celebrates the history of Hanukkah while engaging little ones in a fun sing-song read aloud.

 


Lost and Found Hanukkah
by Joy Preble

An inclusive, heartwarming Hanukkah tale that mirrors the holiday’s themes of rededication and resilience.




Hanukkah 1-2-3! A First Counting Book by Joy Weider

A counting board book that teaches numbers through Hanukkah traditions.

A Dragon Called Spark: A Hanukkah Story by Lily Murray

Lonely in a new town during Hanukkah, Eva finds comfort in her imaginary dragon, Spark.


REJECTIONS - AND WHAT TO MAKE OF THEM


                                                                   By Kate Carroll


We regret to inform you...


Fellow writers,

I had so, so many rejections to choose from, but I narrowed them down, so as not to bore you with repetition. The names of real editors and publishers were changed for obvious reasons. 
Here’s the top ten!
 

#10  Crickets!
 
This is a common rejection – nothing!  It is frustrating, especially when you are first starting out. That is why the best advice after submitting a manuscript is start working on your next big thing.

#9  Sorry it has taken me so long to get back to you. Unfortunately it’s a pass for me.

Another common rejection letter which provided no feedback.  No helpful words to writers, but regard it as an opportunity to read up on the editor to see what his current list looks like. If you keep getting these types of rejections, it may be time to do a serious revision or start on a new project.

#8  On behalf of chief editor, Greta Goodatgrammar, thank you for sharing this title. This is not the perfect fit for the Dueling Doodlers' list at this time. We wish you the best of luck finding the right home for this project.



Again, not much to go on, but be a good detective here. It was not the perfect fit for this house, but it may be perfect for another house. Keep submitting.                                                                                         





This Photo by Unknown Author is licensed under CC BY-NC-ND       
 
#7  Thanks for sending this fascinating project my way. I’m afraid it’s not a fit for me, but I appreciated the chance to consider it, and I hope you’ll find a perfect editor for it.  Sincerely, Warren Wordly

Finally, one positive word to hold on to – FASCINATING. Yes! That’s what I was going for!  Here was that one word of encouragement to keep me from quitting. One word can motivate your creativity.

#6  Thank you for sharing Kate Carroll’s work with us. While we see the commercial appeal and holiday promotional moment with this story, we found ourselves struggling with the rhyme scheme and ultimately felt that this was not a must-have for our very full picture book lists at this time. We are going to pass, but we hope you find the right home for this story.

This rejection offered a few hints. The manuscript had commercial appeal, exactly what we want an editor to say. But in passing on it, they gave insight into what ultimately turned this into a rejection. The rhyme scheme did not meet the standard of this editing team, but finally, a nugget of information to inform revision.

#5 I've had a chance to consider your beautiful submission with my team and while it’s a very compelling telling of the Christmas story, it doesn’t feel quite right for Please Pick Me Press. There was a bit too much storytelling that is outside of the Biblical Christmas story for us.

A team of people looked at this project and found it compelling – which according to Oxford dictionary means evoking interest or admiration in a powerfully irresistible way. A pop the collar moment! The reason for the “pass” was specific and helped us to look at the story from their viewpoint and to look in new directions for submissions.

#4…I’m a sucker for funny names and puns, and I really enjoyed all the turkey names in this story (Where’s Waddle was my personal favorite). I also thought the interactive element at the end, of writing in the reader’s own idea for a turkey name, was a fun touch! However, I ultimately felt like this story as a whole felt a little too slight to be able to support a full jacketed picture book, and I wasn’t sure that the hook of the book felt strong enough to stand out in the market. With this in mind, I unfortunately have to pass.

This same manuscript received a rejection for totally different reasons above (see number 6). Just a reminder that this business is subjective and proves that landing a book deal is a lot like matchmaking. Where will your story find “true love?”


#3 I am intrigued by this project. I like the non-fiction mixed in with a fun guessing game. I would like to have a little more time in considering this.

This was such an encouraging response, but ultimately, nothing happened with it. My agent followed up a few times and never heard back. Instead of feeling deflated, I believed even more in my manuscript. It was confirmation that I was on to something good. 
 
#2 Thanks very much for thinking of me for TEN BIG BARKS. It’s *very* cute, but, alas, too similar to a new picture book on our list that is also a dog-themed counting book that counts up to 10 and back down again!

The story mentioned above came out 8 months after I received this rejection. My take-away: Two great writers thinking the same thing – one came up with the idea a little faster!  

and drum roll, please...

#1 Thanks so much for sending me this lively story. But though there are some wonderful descriptions here, and the setting is vividly described, ultimately the plot doesn’t feel quite special enough to me.
I am very intrigued by Hope's personal story, however. Do you think they would ever be interested in writing about a child like her, and her trip to the US?  If you think she’d want to give it a try, please know that I’d be happy to help in any way I can.

This was a difficult journey.  We took this editor’s offer and told the story.  Over the course of a year, we did many rewrites, and in the end, it was rejected. It is still a story we know will find its forever home, just like our daughter did!
 
 
 
Rejections are reminders that we are doing what we should - which is getting our work out there. When rejections light up your inbox, and they will, take a moment, because it does sting, but it's not life threatening.  Hold on to these words of wisdom from esteemed professional Mary Kole who said, "When an agent or publisher declines your manuscript, ... take your time to refine, reinvent and elevate your craft. ..." 

Remember, it can’t be on a bookshelf at B&N if it’s still on your desk! So, writers, write that beautiful, humorous, heartfelt, intriguing, adventurous story and remember that a rejection is just a reminder that true love is still out there waiting for your manuscript to find it.  
 
 




Ten Memorable Quotes to Inspire Your Writing

by Gloria Reichert 



 Did you ever have one of those writing days?                                            
                                         
                                            Tired?                                    
 Struggling with writer’s block?                        
     Feeling impostor’s syndrome? 

At times like these, when we need inspiration, reading quotes from other writers who have been where we are - staring at a blank page – can help us find the courage to begin. Their quotes show us that many great authors probably have shared our feelings and also reveal how they feel about the craft of writing. In the hope that reading their quotes will encourage us to put pen to paper, here are ten of my favorite quotes to empower your writing.   

 

                                               

 


1. “Fill your paper with the breathings of your heart.” William Wordsworth 

2. “Either write something worth reading or do something worth writing.” Benjamin Franklin 

3. “If I waited for perfection, I would never write a word.” Margaret Atwood 

4. “If you want to change the world, pick up your pen and write.” Martin Luther 

5. “Exercise the writing muscle every day, even if it is only a letter, notes, a title list, a character sketch, a journal entry. Writers are like dancers, like athletes. Without that exercise, the muscles seize up.” Jane Yolen 

6. “I’m writing a first draft and reminding myself that I’m simply shoveling sand into a box so that later I can build sandcastles.” Shannon Hale 

7. “All that I hope to say in books, all that I ever hope to say, is that I love the world.” 
E. B. White 

8. “The idea is to write so that people hear it, and it slides through the brain and goes straight to the heart.” Maya Angelou 

9. “There is something delicious about writing the first words of a story. You never quite know where they will take you.” Beatrix Potter 

10. “You fail only if you stop writing.” Ray Bradbury

  

Writing is a challenge. 

It takes time and effort to craft the stories that will impact children’s lives in positive ways. To be prepared for those gloomy writing days, start your own list of author quotes. Keep an on-going list in a journal or notebook. Post one on or near your writing area and change them periodically. They could spur your creativity, energize your thinking, and get you back to writing!

Writing is Writing

 

By Laurie Lazarro Knowlton

It seems easy, writing. Making yourself sit down and write in the first place is hard. There are our daily interruptions of family needs, pets’ needs, meetings, and deliveries to name just a few. Once you get your bottom in the chair, writing is writing. Just you, your writing utensils, your imagination and quiet.

Except our greatest nemesis and ultimate minute-to-minute interruption is self-inflicted. We have become addicted with our insatiable desire to have our phone in hand. Writing and phones are not a good combination for creativity.

9 Reasons Why you Need to Stay off Your Phone to Write.

1.     Turn off your phone when you sit down to write so you are not interrupted with a phone call and lose your idea momentum.

2.      Stay off your phone to research because it’s so easy to slip over for a quick minute to check your e-mails. Next thing you know an hour of your writing has gotten eaten up.

3.     Taking time away from your phone can help you experience calm mindfulness that allows your  imagination to flow unencumbered.

4.      Calling a friend to tell them about what you are working on can make you lose your enthusiasm for the project, and even question why you’re working on it in the first place.

5.     It is good for your phone to get turned off because it saves your battery; it keeps the phone from getting overheated and allows for updates to be installed when you turned it on again.

6.      Handling your phone constantly becomes a habit. Don’t reach for your phone when your writing mind gets stuck. Put your phone in another room if you’re craving that quick bit of addictive phone stimulation. Instead, sit with your story. Picture the conversation, the action, and your brain will get back on track.

7.      Having your phone off and out of the room is good for your body.

8.      Nighttime phone use is associated with poor sleep.

9.      Staying off your phone helps relieve anxiety and stress.



So put your phone far away and turned off. Put your bottom in the chair and get on with writing. Your story is calling your name. That is one call you need to answer.

Check out all of Laurie's books on her website: http://www.laurieknowlton.com/


Ten Mentor Texts to Inspire Your Writing

 



by Gloria G. Adams

What are mentor texts?

Mentor texts are models for writers, well-done examples of specific writing skills that authors can use to learn how to become better writers.

Whatever areas upon which you feel you could improve as a writer, finding a mentor text to inspire and teach you is always a great idea. First, know your target audience and read the kinds of books that you feel will reach that audience. After that, whether you want help with character development, plot and story arc, pace, voice, dialogue, structure, tense, point of view, or world-building, find the books that feature the specific skills you’re looking for and read as many as you can.

Here are ten recommendations:


Picture Books:

The Napping House by Audrey Wood. Cumulative text, humor, story arc.



Plants Fight Back by Lisa Amstutz. Humorous, rhyming nonfiction with sidebars and a gold mine of information for the school curriculum.  

                                                                                                      


Monster Cake by Laurie Lazzaro Knowlton. Fantasy, voice, characters, 

teaches math skills.



         


Ah-Choo! by Lana Wayne Koehler and Gloria G. Adams. Interactive, rhyme, repetition, story arc, 

teaches empathy.

                            


Chapter Books:

The Zoe and Sassafras series by Asia Citro. Relatable characters, story arc, dialogue, voice,

 how to write a series.            

                                       

The Cody series by Tricia Springstubb. Relatable characters, life lessons, dialogue, voice, story arc, how to write a series.

                                                                 


Middle Grade:

    Pax by Sara Pennypacker. Animals, perspective, sensory details, identity.





Amari and the Night Brothers by B.B. Alston. Fantasy, character development, voice, world-building.



Young Adult:

            The Hunger Games by Suzanne Collins. Social/political issues, strong character development, suspense, world building, writing a series                                                                                            




 Poet X by Elizabeth Acevedo. Voice, structure (novel in verse), diversity, imagery.

                      





Here’s a tip from the writers at Journeytokidlit.com: “Try typing out the full story or 1st chapter to get a better sense of what it was like to be the writer of the book. It will help you learn word choice, sentence structure, and voice.”



TEN BEST SUBMISSION PRACTICES

By Kate Carroll

 

In today’s tight publishing market, submissions are serious business. It's vital to tailor your work for an exact fit. Kid lit professionals would love to uncover the next big hit, and with a little work, yours may be the story that gets their attention. Look at this list to give your manuscript the best chance at being seen. 

1. Know your audience. Be sure you study what the agent or publisher is looking for, and submit only if your manuscript is a match.  


2. Follow the submission instructions provided by the agent/publisher exactly. They streamline their requirements so that they can assess as many manuscripts as possible - which is to your benefit. If they are bogged down with material that isn’t formatted to their liking, it takes away precious time. Bottom line: If you don’t follow the rules, don’t expect to play.                                                                                                                                                                             

3. Never use a question to begin your pitch. It is overdone and a guaranteed pass.  


4. Manners always matter. Submitting is like interviewing for a job. Bring your very best attitude and demeanor to your cover letter.  


5. If your manuscript is over the word count for your genre, think twice, no, three times about sending it out. The economy of words matters. Make each word work in your story or toss it! 


6. Use a formal salutation in your letter to an agent/editor. Include his/her correct name! Research the right person for your book genre and interest. Sending a PB to a YA agent/editor only takes time away from the readers and doesn’t help you at all. In fact, it could have a negative impact for future submissions. 


7. Do not query too soon after submitting a project. Give an agent/editor time to evaluate your work in and among the many tasks they do each day.  Websites usually indicate how long it takes for an agent/editor to respond to a submission. After that time, and only after that time should you reach out again. 


8. Never sit back after making a submission. Move on to your next project.  


9. Be humble. Your best friend or your mom may have told you how wonderful your work is, but the industry professionals prefer to make their own decision!  


10. Be open to rejection. It is a huge part of acceptance in the world of publishing. 



TEN MUST-HAVE BOOKS

By Laurie Lazzaro Knowlton

 


Informative resources to support you throughout your journey as a children’s writer.  



1.  Writing Picture Books Revised and Expanded Edition: A Hands On Guide From Story Creation to Publication by Ann Whitford Paul


2.  Writing For Children and Teens, A Crash Course, By Cynthea Liu


3.  How to write a Children’s Book and Get It Published by Barbara Seuling


4.  Children’s Writers & Illustrators Market, 33rd Edition, Newly Revised Guide and Update


5.  The Magic Words: Writing Great Books for Children and Young Adults by Cheryl Klein


6.  Queries, Pitches & Proposal by Moira Allen


7.  Children’s Writer’s Word Book, 2nd edition, by Alijandra Mogilner


8.  How to Write a Children’s Picture Book, Tips and Tricks For Writing Illustrated Picture Books for Kids by Darcy Pattison


9. Writing Irresistible Picture Books, Insider Insights into Crafting Compelling Modern Stories for Young Readers by Mary Kole


10. Writing Irresistible Picture Books Workbook: Guidance, Checklists, Worksheets, and Reading Lists to Go from Theory to Practice by Mary Kole