Dispelling The Book Marketing Mystery

 by Merrill Rainey

If there’s one thing I’ve learned in my career as an Author, Illustrator, and Paper Engineer, it is that not one project ever runs the same path.  Some projects need more time, while others zip right through, and sometimes they need a little more hand holding.  Each book I’ve created has had its own individual journey and that includes how I approached marketing them.  When marketing a book, I always look for new avenues to attract people to my work.  Some ways help me find work, and some ways don’t.  When they don’t work, I learn from these experiences and improve how I approach my process the next time around.  Like most things in publishing, there is not one set way to do something, and that includes how to market your book.  So whether you are traditionally published, or independently published, I’ve compiled some suggestions that I have found success with over the last decade to help get my work out into the world.  Marketing is the business of building an audience.  So for our books and our careers to succeed, we need to build that following.  And sometimes it takes a little time to do so.  Hopefully the strategies below will help to dispel some of the mystery around how to market your book!

 

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Make a marketing plan

Marketing plans are so important!  They help you define how you are going to approach getting your book out into the world and how you are going to afford doing so.  When creating your plan you need to think through various things:

1.        How do you plan to get the word out about your book?  Will it be through social media, local advertisements, video media, etc...? 

2.        Decide what events you might want to attend to help you promote.  Will there be a cost associated with doing so?

3.        Make a list of what type of giveaways you might want to create to go along with your book.  How much will they cost?

4.        Will you need to pay someone to help design your marketing materials?

5.        Most importantly, create a budget.  Know how much you want to spend on your marketing plan.  It’s easy to get excited about finding creative ways to market your project, but make sure it’s affordable, and make sure those ideas are worth your investment.  

 

Know what your publisher’s plan is

If you are going to be traditionally published, know what your publisher plans to do to get the word out about your book before you start to market on your own.  If you don’t know the details, ask what their plan is. 

You should know:

⁃           Where they plan to advertise your book

⁃           What their social media strategy is

⁃           If they are sending your work out to reviewers

⁃           If there are ways that you can help support them by supplying materials that they can send to booksellers

⁃           Are they willing to help with booking school presentations, bookstore appearances, and library events

 

The World Wide Web

The number one thing you must have when marketing your book is a website.  You need a place that you can send people to that showcases you and your books.  Your site must include images of your book covers and what your books are about, links to where you can buy them, as well as a bio about yourself.  You can also include any downloadable activities related to your books, and information on if you offer speaking engagements, library presentations, school visits, etc.  It is also good practice to link your site to your publishers. 

Once you are set up, you will want to link your site to different social media accounts.  You’ll have to decide which social media platforms work the best for you.  I know social media is a mess right now, but it’s still the place where publishers share about events, book releases, and other announcements.  It is where a huge part of your audience engagement occurs, so it is still a viable place to get the word out about you and your work.  I’m not a social media guru, but from my experiences, you’ll want to post something at least once a week to keep your audience engaged.

If you have the means to create a book trailer, I suggest doing so.  Book trailers don’t have to be anything fancy.  They just have to give your audience a taste of what your book is all about and where to find it.  You can easily create a slide presentation in PowerPoint or Apple’s Keynote, then export it out as a movie.  Or if you have kids, or grandkids that are tech savvy… let them create the trailers for you.  Then you can post what was created for all to see on the world wide web, TikTok, Instagram, Facebook, YouTube, etc.!

Note: When possible, I like to link the sales of my book to bookshop.org.  This site allows readers to buy your books from your local independent bookstore, or if you don’t have one, they can choose another store to buy it from. 

 

Mass Media

One thing I’ve learned over the years is that any positive press is good press!  That includes small town local papers to national news.  Once you know when your new book will be released, start reaching out to local media sources; news station, newspapers, parents magazines, radio shows, podcast, blogs, book reviewers etc.  See if they will run an interview or a special section about you and the book or if they will write a review.  From my experiences, news sources are usually more than willing to help you promote and celebrate your book and yourself.  The best things about these types of resources is that most of them are free, and you can normally find who to contact listed on their websites.

Also, if you attended college, trade school, etc., reach out to your alma mater.  Most places of higher education have a magazine that will highlight the successes of their current and past students.

 

In person events

No one knows you or your work unless you are telling them.  One of the most common questions I get from parents is; “My son or daughter is graduating from art school soon.  Do you have any advice for them?”  and my response is always “They need to learn how to sell themselves and their work, and if they don’t know how to do that, they need to learn how.”  Many people in this field are introverts, but you have to break out of that comfort zone to succeed!  No one else knows how to sell your work better than you!

 

So, with that said...

⁃           Participate in as many local events; book festivals, parking lot parties, street fairs, etc. that you can and have energy for.  You definitely want to grow your audience, but you don’t want to burn out doing so.

⁃           Submit to larger national book festivals, you never know whether you’ll be accepted if you don’t try!

⁃           Connect with your indie bookstores.  These bookstores are so important to the book biz!  Ask to see if they would be willing to partner together to host a book launch event. 

⁃           Attend writing and illustrating workshops, classes, and conferences.  Networking is key!

⁃           If you have a book that has a niche topic… are there events in that same topic that you can attend?  The great thing about attending an event like this is that it already has a built in audience, which you can then use to build upon and grow yours.

⁃           If you are presenting at libraries, schools, or events about your book, know your audience and find ways to make your presentation engaging for them.  Engage being the key word here… you have to use a little bit of showmanship to keep the attention of your audience members big and small… Are you using puppets?  Are you doing interactive read alouds?  Or maybe some kind of craft activity that relates to your book?  Also, be willing to adjust on the fly based on the reactions of your audience or any event issues that might arise.  Being flexible and engaging will always help grow your following and lead to more presentation opportunities! 

⁃           Going back to your marketing plan, know what your travel budget is.  Also, know what your time is worth.  Sometimes you can find, or are invited to free events, but those FREE events will come with travel costs to get there.  Sometime those FREE events are great for networking and building your audience, sometimes they are not.  After awhile you’ll know which events will benefit you and your books the most.  A few years back I attended NERD Camp Ohio.  It was a free event, I didn’t get paid to be there, I had to pay for my own travel expenses, but this event ended up being one of my favorite events of the year!  I presented multiple times to teachers, librarians, book fans, etc., and from that event, I was able to acquire a few paid school visits the following year.

 

*Side note: Something to keep in mind while you attend in-person events; whether you sell 100 books or just 1… every in-person event is an opportunity to help build your audience!

 

Giveaways

I’m a big fan of creating new giveaways for my books.  When Roar I’m a Dinosaur launched, I created a mask bookmark that mimicked the concept of this novelty board book.  It showcased what the gimmick of the book was, acted as a toy, and functioned as a bookmark.  When GIANTS ARE VERY BRAVE PEOPLE released I created a GIANT sized bookmarks which were just oversized bookmarks, but again it riffed off of the concept of the book.  One other give away/tradition that I started is creating a new t-shirt design based on my new book.  I would then send these shirts to a more focused audience which usually included my publishing team, bookstore owners, librarians, and other event hosts.

The trick to creating effective giveaways is to know who your audience is that will be receiving them.  You must make the giveaway something that they’ll keep and not just throw away.  Again, it doesn’t have to be something overly creative, just keep it simple, fun, and effective (ie. making a normal size bookmark two inches bigger and calling it giant sized). 

Some giveaways are created for crowds of people and others are created for more focused audiences as noted above.  Looking back at your marketing plan, when coming up with giveaways directed towards large amounts of people, you want to find something where you can get more for your money.  When creating something for a more focused audience, you might want to spend a little more money for a more substantial takeaway.  Remember to not stretch yourself to thin here; do what is within your means! 

 

Here are a few ideas for book giveaways;

⁃           Bookmarks.  Probably the most common giveaway, but the most effective.  Make sure the bookmark relates to your book and gives some kind of snippet of what the book is about.  Showcase any industry reviews, and of course include your website link so they know where to go to order your book.  There are a lot of places to order bulk bookmarks from.  I’ve had good luck with GotPrint in the past.

⁃           Pins and buttons.  Same as with the bookmarks, make sure they relate to your book and if possible directs your audience to your website. There are a lot of venders you can choose from to order or create these, but I’ve always used Sticker Mule and have enjoyed their products so far.

⁃           Activity sheets.  Activity sheets that can be downloaded from your website, or given away at events are a great way for places like schools and libraries to highlight your books and to engage with customers or students.  When creating these, consider things such as: Is there a fun activity you can create that relates to your book? Mazes, word searches, and such are pretty common, but is there something you can create that would be more memorable?  When Color, Cut, Create came out, I created an oversized postcard that had one of the dinosaur paper toys on it.  It also included where you could order the book from.  My hope with this particular activity sheet was that the dinosaur would get built, the builders would enjoy their time doing so, and then they would end up ordering the book so they could do it all over again.  For GIANTS ARE VERY BRAVE PEOPLE, I did a compare and contrast activity using the art on the end pages where the kids would circle what was different in the art.  The end pages at the beginning of the book showed how Bigelow saw his world and all of the things he was afraid of.  Then at the end of the book, the end pages changed to show that Bigelow had gained his courage and was not afraid anymore.  Then, to tie into the message of the book, I left space for them to write down what they are afraid of and what they could do to gain courage to overcome those fears. 

 

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To find out more about my work check out -> Littlerainey.com

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Looking for someone to design your book or marketing materials?  Email me at merrillr@littlerainey.com for rates.

Looking for an illustrator for you project check out HIA.com (Hire and Illustrator) or check out SCBWI.org (Society of Children’s Book Writes and Illustrators).

Writing for Kids: Chapter Book Series for Ages 6-10

 


By Gloria G. Adams


This year, I decided to dip my toe into the pond of chapter book series writing. There was a lot to learn! 

My new series is just beginning, and I’m not sure how successful it will be, but I’m enjoying the journey.

My main character is Silvee Spoon, junior chef, who loves cooking and science and uses both to solve a mystery in each book. She gets help from her triplet siblings, Parker and Trina, along with their fluffy cat, Hashbrown. Because, you know, cats.


                                                  Check out Silvee’s website, too!   

                                                            www.silveespoon.com

                                               Download activity sheets, party ideas, 

                                                    and a teacher activity guide.



So, if you’re thinking about it, here are some tips to get you started.

Read as many chapter book series as possible.

Analyze writing styles, vocabulary, voice, subjects, chapter length, word counts, descriptions, settings. I like to write out what happens in each chapter. How does the author build tension? How many characters?

Make sure your main characters solve the problem/overcome the obstacles. Don’t let their parents or teachers bail them out.

Chapters and sentences should be short. Word count varies, and some sources will give as broad a figure as 4,000-15,000 words. One editor I met at a conference was asking for submissions between 5,000 and 8,000 words, so I aim for somewhere in that range.

Know your target audience, which is typically ages 6-10.

Make your characters memorable; give them individual traits, habits, skills, passions.

Aim for a familiar setting (think Wayside School, Capitol Mysteries) or a jumping off place (Magic Tree House) or a traveling vehicle like the Magic School Bus.

Also aim for consistency, especially with characters.

If you plan to write a proposal for a series to traditional publishers, you’ll need to give them titles and ideas for at three to five more books in your series, along with comparable titles of other series.

It’s a lot of planning!

Here are a couple of good articles on writing chapter book series. Best of luck to you if you decide to go down this road!

https://www.writersandartists.co.uk/advice/writing-for-younger-readers-and-chapter-books

https://bethandersonwriter.com/2022/03/25/behind-the-scenes-how-to-write-a-chapter-book-series-by-christine-evans/

So You Want to be a Writer





By Lisa Amstutz

True confession: It took me 10 years to work up the courage to write for publication. During those years, I thought about writing. I read about writing. I talked about writing. I did everything but actually write. What if no one liked my work? Worse yet, what if they did? Where would I start? The fears and questions paralyzed me, and cost me 10 years of my writing life.

Here are five things I wish someone had told me at the time. If you find yourself in the same boat, I hope you will take them to heart. The world needs your stories!





Don’t Let Fear Paralyze You
It took a significant birthday to make me realize I was more afraid of never writing than I was of writing. Don’t wait around for that moment—do whatever it takes to get past your fear. Start small if you like—write something for a newsletter or a letter to the editor at a local newspaper. Write a short story and share it with a few friends and loved ones. Or use a pen name.

Sometimes fear doesn’t look like fear. It looks like excuses. I don’t have time to write. There’s already a book about that topic. I didn’t study writing in school. I have kids/a full-time job/housework to do. These thoughts may all be reasonable and true, but don’t let them keep you from trying.






Consider Yourself a Writer
I occasionally have the opportunity to mentor new writers. Many are tentative about calling themselves writers, just as I was. “If you write, you’re a writer,” I tell them. It’s really that simple. You don’t have to be published or specially trained. There’s no secret handshake. You may or may not be a good one yet, but if you write, you are a writer. And that’s a place to start.





Write Every Day
Everyone’s busy, I know. I am too. But if you want to write, choose to make it a priority in your life. Write a little every day, if possible. If time is limited, write on the subway, or dictate stories into your phone while driving. Keep a notebook by your bed and jot notes before you fall asleep. Write instead of watching a TV show. Find those snippets of free time in your life and use them to accomplish your goals.

At least 90% of writing is just sitting down and doing it. The rest is noticing the things around you and the feelings inside you, and finding the right words to express them. You’ll get better at it. But not unless you actually try.








Find a Tribe
My writing quality and output grew exponentially once I found a writing tribe. I joined a local writer’s group and SCBWI, took classes, attended workshops, and found online support. Other writers can provide the support, knowledge, and honest critique of your work that you need to grow as a writer and succeed. And on a practical level, preparing for a monthly critique meeting or class will give you a deadline and make you more productive.

If you don’t already have a writing tribe, look for local writer’s groups or organizations in your area. Take a writing class, attend a conference or workshop, or join a critique group. Look for Internet message boards and Facebook groups where you can connect with other writers.





Revise and Send Out Your Work
Once you’ve gotten some critiques on your work, revise and polish it until it’s the best you can make it. Check for spelling and grammar errors, and read your work aloud to yourself to see how it sounds. But don’t stop there. Get a copy of Writer’s Market and look for places to send it. Target your submission to editors or agents who are interested in your genre. You will get rejections—even big-name authors do. It’s OK. Pick yourself up and keep submitting.


Every writer started somewhere different—the important thing is that they started. Don’t let one more day go by without reaching for your dreams. Pick up your pen and write. You can do it!

on 6/16/2015
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Five Ways to Know That Your Manuscript is Ready to Submit

 

 by Laurie Lazzaro Knowlton


 

1.     Does your story have:

One main character?

A setting, using strong sensorial words?

A problem? Quest? Journey? Mystery? Can it be solved by the end of the story?

Attempts at solving or completing the plot line?

Suspense, with each attempt to succeed intensifying the tension?

Character-driven actions for the circumstances or world you have developed?

A plot that must be solved by the main character’s wits, strength, abilities?

A climax where the main character is at his lowest point?

A character’s attempts and failures at solving the problem that add up to the knowledge, talent, strength needed to actually solve the story problem?

Character growth for your main character? Change? Become stronger, better, wiser?

A satisfying ending? Have you wrapped up all the loose ends?

  

2.     Make sure your manuscript has been read by a critique group.

Rewriting is the most important part of writing.

If a critique suggestion rings true to your character, make the change.

If you have more than one person saying there is something missing or needing to be rewritten, chances are strong that you need to rework that portion.


 

3.     Make sure your manuscript has been edited.

 Check grammar, punctuation, spelling, and sentence structure.

 

4.     Make sure you know the proper format for submitting a manuscript.

Name, address, phone number on lefthand corner.

Title half way down the manuscript, with your name below.

Second page has a header with you name, title and page number.

The following pages all need the same header with the page number.

Begin your story at the top of page 2 under the header.

Word count in the upper right corner.

 

5.     Make sure you check the publisher’s guidelines prior to submission.

Every publishing house has its own distinct directions on how, and to whom a manuscript should be submitted. Follow those directions, or your manuscript may end up in the trash never having been read.

 Most successful writers spend more time and energy rewriting than they do writing. My father always said, “The harder I work the luckier I am.” The same is true with writing.

 



MANUSCRIPT FIXER-UPPER

 


 by Kate Carroll


As a children’s writer, I have files of flawed manuscripts. When I wrote them, I didn’t know they had structural damage, but over time, as they sat in a drawer, and I challenged myself to learn more about craft, I realized these gems could not survive in their current condition.  When I need a change of pace, or new ideas aren’t surfacing, I turn to these old friends and challenge one to a renovation.   

 

Whether you’re a brand-new writer or a seasoned author, you probably have a manuscript that never made it into the world. Dig into your drawer, your files, maybe your own slush pile and pull out something that hasn’t seen the light of day in a while - a real fixer-upper. Grab your tools and try a makeover. I’ve watched builders whip old things into shape on HGTV shows and Food Channel chefs work wonders with leftovers, so why not renew an old story?

 

Here is a checklist that might make your something old, new again.


1.      Get ready to demo!

Read your story out loud. A noticeable something may glare at you. Or it may be hidden in the foundation somewhere. Stay with it, even if you must pull everything apart.                    

 

2.     Exactly how strong is your plot? Will kids care what your story is about? If not, can you twist and turn it so that they will?

What can you do to make it more appealing to kids? We know that the best loved stories are ones that allow a child to think, dream, laugh and grow through the pages.

 

3.     Does your main character need a tune-up?  Consider these thoughts. What is your main character really like?  Is it a character that a child can see and know? If your character isn’t well fleshed out, there’s a chance that it will remain invisible. Spend some time working on the MC ‘s attributes. Is he silly, magical, naughty, lazy, excited, mean, brave, curious, forgetful? Whoever your main character is, he must be unforgettable to the reader.

 

4.     Make tension intentional. No matter what age you are writing for, tension matters. Raising the roadblocks that a character encounters keeps the reader rooting for him. Imposing scenes that keep the reader turning the pages is a good goal.

 

5.     Is your dialogue dynamic? Does your dialogue give information that helps move the manuscript along? Do you create conversations between characters that cause tension? Sophie’s Squash by Pat Z. Miller is a great example of dialogue that increases the angst for Sophie.

 

6.     Employ the right words. Use writing techniques that help pace your story well. Think of a roller coaster ride. Experience the slow chug of the climb (I’m nervous already), the intensity of the peak, and the thrill of the finish. Using language that mimics this progression is one way that you can help your pacing.  Check out Oh, No! by Candace Fleming & Eric Rohmann.

 

7.      Be ready to redo if needed. If you’re lucky enough to uncover problems in your story, be prepared to work and rework until the foundation is solid and the details dovetail into a heartwarming finish.  


8.      Inspectors are necessary. Before your work goes into submission, seek final approval from your critique group or a paid editor. Seek honest feedback about your manuscript and accept all suggestions with gratitude. You are not required to use advice from others, but chances are, someone is going to see that one minor flaw that you missed.

 

I hope all your manuscripts are worthy of publication, but just in case they don’t pass inspection the first time, consider a makeover and see what happens.

 

7 Reasons to Belong to a Writing Community


By Laurie Lazzaro Knowlton

Writers are a unique group of people. We live in our heads, surrounded by characters that tell us their stories and expect us to record them on paper. Sometimes those characters keep us up at night, interrupt our daily chores, and become more real to us than our everyday lives. To outsiders we are loners, a wee-bit crazy, and not always understandable.

1. That brings me to the first reason for the importance of a writing community:UNDERSTANDING Who else is going to understand you missing a meal, staying up all night, or holing yourself up in a locked room? Only another writer. They understand that writing is a consuming, demanding job. They understand that if you don't get the ideas down on paper NOW, that later, when time allows, you may find yourself staring at a blank screen. They are the only ones who get where you are coming from, so join a group! (Check out SCBWI.org, and local writers groups that meet at libraries. If you can't find a group, start one!)


2. ENCOURAGEMENT:  When you hit a glitch, and your characters have taken a long weekend in Neverland. only another writer understands those dry spells. We need encouragement. The great thing is that not only do other writers encourage each other, but when they are gathered together, an energizing ripple effect begins to roll. As each writer discusses their latest project, your own brain's ideas begin to flow and the next thing you know you are excusing yourself to rush home to your computer to write.


3. Every manuscript requires many sets of eyes. CRITIQUE groups are a must. Every time I finish a manuscript, I just know it is an award-winning book. But the reality is that good writing begins with rewriting. Even though the story is clear in your head, the reader isn't always able to see things the way you pictured them. That's where many sets of eyes are helpful. Your peers can tell you the manuscript's strengths and where it needs some work. Fellow writers are your first readers and helpful editors.


4. A good writing community is needed for NETWORKING. I attend as many conferences, workshops, and critique meets as possible. Writers know what is happening out there in the big world of publishing. You hear things about editors who are wonderful to work with, publishing houses that have recently opened their doors to unsolicited manuscripts, and houses that are now requiring a query letter. Go, listen, and grow!

5. Who are you ACCOUNTABLE to? Unless you are under deadline with a publisher, writing
requires you to be your own boss. Some writers are diligent, setting aside a set amount of time to write daily, but many writers are so creatively wired that they get off task easily. I am one of those people. I am a crafter, a nature lover,  a thrift store hunter and a five-year-old at heart. Unless I have someone to answer to, I find it is unbelievably easy to get distracted. My writing community helps me to be accountable.

6. A writing community is vital because they will CHALLENGE you. Many times when brainstorming together, I have challenged my peers by saying, "If you don't write it, I will!" Two friends that I challenged this way ended up with contracts! A challenge can be as simple as setting an amount of words to be written by the next meeting, or getting a manuscript out by a set time, or review a manuscript you put aside. But whatever the challenge, you will better off as a writer.

7. Last but not least, a writing community is valuable is for CELEBRATION. When you get that first publication, who else is going to understand your journey? No one besides another writer realizes the hours you've pored over your creation. No one else understands the angst felt before you turn your manuscript over to the U.S. postal service, or the daily walks to the mailbox wondering..."Will there be another rejection? Did I get an acceptance?"

Other writers get it. They value the days, months, and often years it takes to get from idea to publication. So when it is time to celebrate, your writing community will be full of high fives, balloons and maybe even a glass of champagne.

So don't hide yourself off in a room by yourself. Get out there. Find a group of like- minded creative writers. They will understand and encourage you. They will critique your work and they will help inform you through networking. Your community will challenge you and make you accountable. But the best part is, they will celebrate with you every step of your journey from idea to publication.